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Lemon and garlic chicken tray bake

Close up of sliced red potatoes dotted with butter and herbs

This tray bake is an easy and cheap way to cater for a lot of people. But the real star of the tray bake is the layer of potatoes underneath the chicken — it soaks up the wine, garlic, butter, lemon, and chicken juices to become something very special.

Lemon and garlic chicken tray bake

Equipment:

1 deep sided roasting tray. The disposable tin foil roasting pans work fine, but a proper roasting tray is better.
Tin foil
Vegetable peeler

Ingredients:

Chicken portions on the bone with the skin on. I use chicken marylands (thigh + leg), which can be bought for about $3 per kilo. If using marylands, one per person is a generous serving. But make sure to throw in a few extra, because I have never cooked this without the tray getting scraped clean. DO NOT USE BREASTS — brown meat on the bone only.
1 lemon per kilo of chicken.
1 entire head of garlic per kilo of chicken.
Very cheap dry white wine (I use $5 chardonnay) (about 1.5 cups).
1 tablespoon of butter per kilo of chicken.
Salt (use good salt — I like Murray River salt flakes the best, but anything is better than iodised table salt).
Freshly ground black pepper.
Fresh herbs — fresh sage, rosemary, thyme OR dried herbs: thyme and oregano
Olive oil.
Potatoes, scrubbed but skin on — two potatoes per person, or more for greedy people (I could probably eat five or six by myself). I like red (waxy) potatoes best for this recipe.

Method:

Pre-heat oven to 160C degrees.

Oil the pan with a little olive oil.

Cut potatoes into chunks or slices. Arrange in a layer on the bottom of the pan.

Peel and roughly chop garlic. Sprinkle half over the potatoes.

Peel the zest off the lemon/s in strips (try not to get any pith). Sprinkle half over the potatoes.

Season the potatoes well with salt. Grind over lots of pepper.

Roughly chop the herbs and sprinkle over the potatoes.

Dot the potatoes with butter.

Juice half the lemon/s and sprinkle half of the juice over the potatoes.

Lay the chicken over the top of the potatoes, skin side up. Pour over the rest of of the lemon juice, and enough wine to come one inch up the side of the pan.

Sprinkle the chicken with the rest of the garlic and herbs. Tuck the remaining lemon zest in and around the chicken.

Sprinkle well with plenty of salt. Grind over a lot of pepper.

Cover the pan tightly with tin foil, and bake at 160C for about 2.5 hours.

Remove the tin foil. The chicken should be very tender and almost falling off the bone.

Turn the oven up to 220C or turn on the grill. Replace the chicken in the oven and brown the skin VERY well — it should become very crisp and golden brown. This should take 15 minutes.

The dish is now ready to serve! But it’s also quite happy to hang out in a warm oven, covered in tin foil, for an hour or two if necessary.

If there are leftover potatoes/chicken, place into a small oven-safe dish, drizzle over a little milk and heat until piping hot in the oven.

Rhubarb apple walnut crumble pudding with créme anglaise

This pudding was easily my favourite thing I have cooked so far this year. Last month I had friends around for soup, Welsh rarebit, tea, and pudding. They also brought Koko Black truffles, and a huge tray of the most amazing almond biscuits in the whole world (from the Queen Vic markets). Good fare for a stormy night.

Rhubarb apple walnut crumble pudding

Originally I had intended to make an upside down golden syrup apple and rhubarb tart, but a moment’s inattention led to my rhubarb and apples collapsing into an airy puree from overcooking. Never mind, I thought, and decided to try substituting the lemon curd in the Lemon curd crumble cake and adding some walnuts.

Crumble pudding dough:
2 cups self-raising flour (300g)
1 cup caster sugar (220g)
125g butter – chopped
2 eggs – lightly beaten
1 cup walnuts – roughly chopped

Rhubarb apple filling
6 large Granny Smith apples, peeled, cored, and sliced
2 cups rhubarb, washed and sliced into chunks
1/3 cup water
Sugar to taste, approx 1/3 cup

Preheat oven to 180°C or 160°C fan forced. Grease a 25cm wide deep pie dish.

Prepare filling:
Put water, rhubarb and apples into a heavy-based saucepan. Cover and simmer over a medium heat until the rhubarb and apples are tender or pureed, according to your preference. Stir in enough sugar so that the filling is tart but not inedible.

Prepare dough:
Sift flour into large bowl, add sugar then rub in butter. To speed up this process, you can grate the butter first. Stir through the walnuts.

Using a fork, stir in egg to form a soft dough.

Assemble pudding:
Using wet fingers, press half the dough into base of pie dish. The harder you press it down, the less filling it will absorb and the less cakey it will be.

Pour hot filling over base, then gently crumble remaining dough over the filling.

Bake approx. 50 mins — ensure you bake on tray in case of overflow. Serve hot with custard/créme anglaise, and/or best quality vanilla ice-cream.

—-

Custard:

600ml cream
1 cup milk
Vanilla bean/vanilla bean paste/vanilla extract
100g caster sugar
6 egg yolks
1 teaspoon cornflour

Whisk together egg yolks, sugar, and cornflour in a heatproof bowl.

Heat milk, cream, vanilla together until almost boiling.

Whist hot milk onto eggs, then pour mixture back into saucepan and continue whisking over medium heat until desired texture is reached. This makes a light pouring custard, not a custard that sets.

Nigella Lawson’s Guinness Chocolate Cake

Dark, almost black cake with white frosting Guinness chocolate cake with a slice cut out

Nigella Lawson’s Guinness chocolate cake, with vanilla cream cheese frosting.

You’re going to need a very large and deep cake tin. Nigella suggests a 23cm, but I used a 25cm and wouldn’t have wanted to go smaller. Don’t bother with a springform tin, but line the cake tin completely with GladBake.

My modifications in brackets.

INGREDIENTS

FOR THE CAKE

250ml Guinness
250g unsalted butter (lightly salted)
75g cocoa (100g Dutch process cocoa — do use the best cocoa you can find)
400g caster sugar (400g raw sugar)
1 x 142ml pot sour cream (200ml sour cream as this is a pot)
2 eggs (extra large eggs)
1 tablespoon real vanilla extract
275g plain flour
2 1/2teaspoons bicarbonate of soda

FOR THE TOPPING:

300g Philadelphia cream cheese (250g block of Light Philadelphia)
150g icing sugar
125ml double or whipping cream (200ml pot of 42% fat cream)
(1/2 tsp vanilla extract)

METHOD

Makes about 12 slices (cut very thin slices as cake is VERY rich).

Preheat the oven to gas mark 4/180°C, and butter and line a 23cm springform tin.
(Lies. You want 160C fan-forced and a lined 25cm tin).

Pour the Guinness into a large wide saucepan, add the butter – in spoons or slices – and heat until the butter’s just melted, at which time you should whisk in the cocoa and sugar.

(Whisk until sugar has completely dissolved. I let this almost come to the boil, I don’t know if this was correct or not, but it was tiresome then waiting for this mixture to cool completely before adding the egg mixture. )

Beat the sour cream with the eggs and vanilla and then pour into the brown, buttery, beery pan and finally whisk in the flour and bicarb.

Pour the cake batter into the greased and lined tin and bake for 45 minutes to an hour. Leave to cool completely in the tin on a cooling rack, as it is quite a damp cake.

(Everyone I know has needed to bake this for at least 1hr 15min. Test with a skewer at 1hr. When the cake has cooked to the correct point, there will still be some damp crumbs clinging to the skewer, but you don’t want there to be liquid batter. You also don’t want to overcook the cake however.)

When the cake’s cold, sit it on a flat platter or cake stand and get on with the icing.

(When the cake is still a bit warm, tip it out of the tin to sit upside down. This will flatten out the dome of the cake and give you a nice flat surface (the bottom) of the cake for frosting. Ideally wrap the cake up and stash in the refridgerator overnight, it improves the flavour and texture.)

Lightly whip the cream cheese until smooth, sieve over the icing sugar and then beat them both together. Or do this in a processor, putting the unsieved icing sugar in first and blitz to remove lumps before adding the cheese.

Add the cream and beat again until it makes a spreadable consistency. Ice the top of the black cake so that it resembles the frothy top of the famous pint.

(The next day, beat the hell out of the cold cream cheese with electric beaters. Beat in the icing sugar, vanilla, and cream. Beat until reasonable stiff peaks form. If you are going to eat the entire cake in one go, or if it is for a special occasion, frost the cake thickly (do a thin crumb coat first, then pile on the rest of the icing). But if you’re going to eat a slice here and there, do not ice, but keep the icing in a separate bowl and plop a dollop on each slice as you go. This ensures that your leftover cake can be stashed in the fridge for a few days, or frozen if necessary. )

Tiramisu

Tiramisu, in glass dish, with cocoa star on top

It’s almost impossible to provide a proper recipe for tiramisu because, in the first place, there is no standard-sized tiramisu receptacle. You want enough ingredients to be able to have two thick layers each of sponge and cream in the dish you choose. What tends to happen over the years is that you develop a feel for the quantities required for your particular container (and then it’s a tragedy if someone breaks your dish!). What I would say though, is that it just makes life so much easier if you have a dish that can fit one whole large packet (500g) of ladyfingers/sponge fingers.

Secondly — only you can know what balance of flavours and textures you like best. The major elements are:

1) Coffee — strong and bitter, or subtle and smooth?
2) Sweetness.
3) Texture — wet and juicy, or cake-like and spongey?
4) Alcohol — none at all? Brandy, rum, Marsala wine, Tia Maria, Kahlua — or all of the above?

For myself, I prefer a tiramisu with extremely strong coffee — usually a strong pot of French press beefed up with 6-7 shots of espresso. I like it just barely sweet, and for the sponge fingers to be very wet with the sweetened coffee/booze mix. I like a mixture of brandy, rum and marsala wine (I think the liqueurs are a waste of money since you’re using so much coffee) and for the alcohol to be fairly prominent. I use gorgeous dark cocoa between every layer. You can’t cut my tiramisu into pieces (HAHA) but serve it with a big spoon in delicious glops.

Making tiramisu can be easy or complicated. The complicated “classic” tiramisu is made by preparing a traditional zabaglione, letting it cool, beating in mascarpone cheese, and then folding in whipped cream and stiff egg whites. The easy tiramisu is made by beating mascarpone cheese with egg yolks, sugar and alcohol, then folding in whipped cream.


Tiramisu

Cream

  • 4 egg yolks
  • 1/2 cup white sugar
  • 1/2 cup Marsala wine
  • 220g tub of mascarpone cheese (although to be honest, I usually end up using a tub of Light Philadelphia Spreadable) — at room temperature.
  • 1 cup cream
  • 4 egg whites

In a heatproof bowl or double boiler, whisk the egg yolks and sugar together until frothy. Stir in the wine. Whisk over a pan of boiling water until the mixture thickens and becomes light and frothy. Remove from the heat. Let this mixture cool, you can speed this up by beating it with electric beaters for five minutes (the air will cool the mixture). This is your zabaglione.

In a very large bowl, beat the cream cheese/mascarpone with electric beaters. Once the zabaglione is cool, pour it onto the cream cheese and beat it in well. This mixture needs to be completely smooth.

In a different bowl, whip your cream.

Clean your beaters thoroughly. In a new bowl, whisk the egg whites until stiff peaks form.

Fold the whipped cream into the zabaglione/cream cheese mixture. Now fold the egg whites, gently but thoroughly into the rest.

Coffee

  • Coffee: French press and espresso
  • 1/3 cup sugar
  • 1 cup alcohol (brandy, rum, Marsala wine, Kahlua, Tia Maria)

Make 5 cups of very strong French press coffee (you can boost the coffee flavour by adding some shots of espresso).

Pour the coffee into a shallow dish (like a lasagna tray) to help it cool quickly.

Stir in about 1 cup of alcohol — I use of a mixture of brandy, rum and Marsala wine.

Stir in about 1/3 cup of sugar. Taste the mixture — it should be strong, but not too bitter. Let this mixture cool completely.

Assembly

  • 500g sponge fingers / ladyfingers
  • Cream mixture
  • Coffee mixture
  • 3 tb cocoa

Dip sponge fingers into the coffee — soak them until they are almost falling apart. You must do this individually or they will fall to mush.

Now make a layer on the base of your dish — you are not restricted by the actual shape of the sponge fingers, feel free to crumble and squish them. Ideally you will use half of the sponge fingers.

Smooth out half of your cream mixture on top. Dust 1tb cocoa on top of the cream mixture (using a sieve).

Soak and layer the rest of the sponge fingers. I usually use up every drop of my coffee mixture, and even rescue the soggy mush left behind in the container.

Smooth over the rest of the cream mixture as perfectly as possible. Dust the top of the tiramisu with 2tb of cocoa — I like to place a paper stencil on top before dusting with cocoa for decoration.

Refrigerate the tiramisu for a minimum of three hours, but ideally overnight.

Ready to serve!

Sticky Date Pudding

Sticky Date Pudding

300g (1 1/2 cups) deseeded dried dates
312ml (1 1/4 cups) water
1 teaspoon bicarbonate of soda
60g (1/4 cup) salted butter, roughly chopped
2 x 60g eggs
1 teaspoon (5ml) vanilla extract
188g (1 1/4 cups) self-raising flour
150g dark brown sugar

Butterscotch Sauce
100g dark brown sugar
300ml single cream
25ml (1 heaped tablespoon) golden syrup
25g (1 heaped tablespoon) salted butter
pinch of sea-salt

**Optional: A gentle hint of coffee brings out the flavour of the dates; I used a shot of espresso in the pudding, and half a shot in the sauce. **

**Optional: 1 cup of fresh pecans**

Sticky Date Pudding

Place dates, brown sugar and water in a medium-sized saucepan over high heat. When the mixture starts to boil, add bicarbonate of soda and butter; the mixture should foam vigorously. Remove from the heat. Stir and then set aside to cool (the butter will melt during this time).

Preheat oven to 180 degrees Celsius (160 degrees Celsius fan-forced). If you are not using a fan-forced oven, adjust the oven rack to the lower half of the oven so the top of the pudding will be in the centre of the oven.

Grease a 20cm round springform pan and line the base and sides with baking paper. Alternatively, grease a 12-cup, non-stick muffin pan.

When the date mixture is no warmer than blood temperature, add eggs and vanilla and stir well. You can also add other flavourings, such as rum or brandy, at this stage.

Gently fold through the flour (and nuts, if using).

Spoon into cake tin or muffin pans. You can fill the muffin tins reasonably full, the mixture does not rise a great deal.

Pudding in cake tin will take about 40 minutes — you want it to be quite squishy in the middle. Pudding in muffin tins will take about 20 minutes, but be careful not to over bake. Pudding is best if slightly under-cooked.

If serving as a whole pudding, you can pierce the hot cake and pour over a third of the sauce immediately.

If serving as muffins, allow 1/3 cup sauce for each muffin.

Pudding should be warmed before serving (microwave is most convenient), and served with hot butterscotch sauce, excellent quality vanilla ice-cream, and dollops of double cream.

Pudding can be frozen. Pudding can be stored in an air-tight container for about a week. The refrigerated sauce will last about a week too.

Butterscotch Sauce

Combine all ingredients in a heavy-based saucepan and stir over a medium heat. Simmer for five minutes. Taste; if sauce seems sickly sweet, add a little more sea salt and/or coffee.

Citrus-syrup yoghurt cake

Citrus-syrup yoghurt cake with crunchy almond toffee topping

Lemon yoghurt cake with toffee almond topping, whole Lemon yoghurt cake with toffee almond topping, cut

Cake:

Makes two 20cm cakes or one very large and tall 25cm cake

250g butter, very soft
400g caster sugar
6 large eggs
zest of one large navel orange (use a fine Microplane or don’t attempt cake)
zest of one lemon (use a fine Microplane or don’t attempt cake)
330g SR flour
70g almond meal
400g plain Greek yoghurt

Syrup:

Juice of the aforementioned orange – top up with water to make 1/2 cup of liquid
Juice of half of the aforementioned lemon
1/2 cup of sugar

Topping for one cake:

2/3 cup of roasted almonds, roughly chopped
3/4 cup sugar
1/3 cup water

Method:

Pre-heat oven to 150 degrees fan-forced

Line your cake tin/s with baking paper.

1. In a very large bowl, cream the butter, sugar and zest until extremely light, pale, soft and fluffy. This will take 15-20 minutes if you do not have a stand mixer. Don’t try and skimp on the beating.

2. Beat in the eggs, one at a time.

3. Gently fold in the flour/almond meal mixture with a large metal spoon.

4. Gently but thoroughly fold in the yoghurt.

5. Gently smooth batter into your prepared cake tin/s. If you are at all concerned about your ability to not to burn the cake, I advise using two cake tins, as the one cake tin method calls for a long baking period and vigilance.

6. Bake the cake/s for 40 minutes -1.5 hours. You may need to cover the top with tin foil if it is browning too deeply. It is cooked when it is firm, and a skewer comes out cleanly.

7. While the cake is baking, make the syrup by boiling all the ingredients together for 6-7 minutes.

8. When the cake is done, poke it all over with a skewer. Pour the syrup over the cake, a little at a time, letting it soak up the syrup in between pours.

9. Let the cake sit for 3-4 hours and cool completely in the tin.

8. Turn out the cake. Leave it upside down on a plate, making the flat bottom of the cake the top of the cake. The cake should have soaked up all the syrup and should be fairly easy to persuade to sit flat.

9. For the topping, put the sugar and the water in a saucepan over a medium heat. Let it boil until it is a light golden brown — the colour of light honey. Then tumble in your almonds and pour over the cake, quickly spreading it over the top of the cake with a knife. WARNING: toffee sticks and burns! DO NOT TOUCH IT.

10. Let the toffee cool for a minute, but while it is still quite warm, oil a knife and score the top of the cake into slices.

11. Let the toffee cool completely. Do not refrigerate this cake. Do not attempt to make this cake during summer, or on very humid days.

12. Ta-da!

13. If you were foolish and scored the cake into LARGE slices, you will now need an extremely sharp knife and lots of courage to cut the cake. Swing the knife at the cake with force and speed, as if you were chopping wood through wrist action alone. You need to crack through the layer of toffee and nuts, like breaking through the top of a crème brûlée.

14. Serve the cake with unsweetened double cream. You should have a very moist, tangy, aromatic slice of cake, with bonus crunchy toffee almonds for contrast.

Dark chocolate brownies

These brownies are a fabulous mix of textures — a pale, shiny, crisp surface that cracks open to reveal an extremely dark, fudgey middle. The edges are slightly crunchy and slightly chewy, like the edges of a meringue. I also cannot get over how delicious the mixture is raw — it tastes like chocolate mousse or really good chocolate frosting.

Chocolate Brownies

Adapted from Complete Perfect Recipes by David Herbet

Equipment:

20 x 30cm baking tray, lined with baking paper
Electric beaters
1 heatproof glass bowl or a double-boiler
1 large non-reactive bowl

Ingredients:

150g of 85% cocoa dark chocolate — Lindt and Green & Black’s both have 100g blocks available in supermarkets for $3-$4.
125g butter (half an Australian stick), roughly cut into chunks

4 x 60g eggs (extra-large eggs)
360g caster sugar (superfine sugar)
2 tsp pure Madagascan vanilla extract
2 tbs dark rum
1 shot of espresso
1 tbs pure maple syrup

150g of plain flour

Method

1. Pre-heat the oven to 160C or 150C fan-forced.
2. Melt the butter and chocolate together, either on low in the microwave or over a double boiler. Cool until no warmer than blood temperature (doesn’t feel warm to your finger).
3. In the large bowl, beat together the eggs, sugar, rum, vanilla, coffee and syrup. Beat on the fastest setting for 4 minutes. The mixture will be thick, pale and glossy. All the sugar should have dissolved — the mixture should not feel gritty between your fingers.
4. Beat in the melted chocolate and butter.
5. Taste it just for fun and deliciousness!
6. Beat in the flour.
7. Pour into prepared baking tray and gently smooth the top.
8. Bake for 30 minutes, until the crust is shiny and pale — and usually cracked, to show the dark fudgey interior.
9. Cool in the tin.
10. Eat! Stores well in an air-tight container (tin or glass please, not plastic) — in fact I think it is more delicious after at least one day.

Rich food at Rockpool Bar and Grill

I feel so passionate about good food that I am sure it is alienating to many people. I had the pleasure of going to Rockpool Bar and Grill on Thursday night, with a local friend and a friend from Sydney.

Two days later, I’m still dreaming about the slow-cooked egg on toasted brioche with bone marrow.

My friend and I shared three small dishes in lieu of a main course — the aforementioned egg; wood-fire grilled quail with braised figs and walnuts; and spanner crab with globe artichokes on white polenta and fontina.

For me, it was the perfect way to experience magnificent cooking. For example, the egg and bone marrow were sublimely, sumptuously, memorably rich; it was a dish luxuriant in the mouthfeel of fat. The egg oozed and clung to the chargrilled brioche: the bone marrow melted the instant it hit my mouth. (The flavour reminded me of an illicit pleasure of youth, when I would toast some white bread in the sizzling fat of a roasting joint of beef). After dividing the dish, we had barely two bites each — and two bites was perfection. Consuming the entire dish would have been too rich, too fatty. I would remember it with discomfort rather than pleasure.

The other stand-out taste of the night was my friend’s order of passionfruit marshmallows. Again, one marshmallow was exactly enough for me. More would have ruined the experience.

“It was like eating an angel,” I sighed dreamily to my colleague, the next day.

How to swap iTunes libraries

How to swap iTunes libraries on a whim

Step One:
(Mac) Hold down ALT/OPTION while opening iTunes
(PC) Hold down SHIFT while opening iTunes

iTunes will ask to be pointed to an iTunes library. Point it wherever you like!

Step Two:
There is no step two.

Voila, iTunes will open with all the playlists, album art and playcounts of the music library you’ve dropped in.

This comes in particularly handy when moving/changing computer — copy the iTunes folder over in its entirety from the old machine to the new machine and point iTunes at the new location.

It’s also handy for sharing one library between computers — a desktop and a laptop, say. However only one instance of iTunes can be open at once if you do this — the iTunes library file will appear locked to the second computer.

Theoretically, you could load your library onto a USB-powered portable HD and be the life of the party wherever you go!

Shuffle from Genre

Shuffle and Party Shuffle are great, but if you’re like me and have a fairly eclectic music collection, you don’t necessarily want The Texas University Gilgamesh Lectures interspersed with Bach’s Preludes or a Nelly/JT mashup.

Unfortunately iTunes doesn’t do Shuffle from Genre automagically, but it’s seriously easy to set up. Create a smart playlist and set it to automatically update. Some of my suggested smart playlists:

For a playlist containing only classical music – Genre IS Classical
For a playlist for a dinner party – Genre IS NOT Classical, Spoken: Artist DOES NOT CONTAIN Rick Astley

Then set iTunes to shuffle from the playlist.

Interior design

I had a fabulous chat last night with my friend, who has been helping me nut out my personal style. I grew up in hundred year old houses with antique furniture: beautiful, to be sure, but not really a practical style to emulate for apartment living. I think if I had to categorise my style, it would be Australian Country Style. ACS is actually a monthly magazine, and I would be ecstatic to live in pretty much any of the houses they feature.

I am not cool in any way, so I always come to the conclusion that I should stick with what I actually feel comfortable with: clean uncluttered spaces, white linen, warm timber, fresh flowers, serenity. I am not a shabby chic girl, but neither do I sway toward total minimalism — I like my spaces to look peaceful rather than coolly modern.

The room on the left is quite a bit trendier than I am — for example the giant ampersand (which I love but don’t think I could live with), but what particularly appeals to me are the lovely bones of the room. The moulded ceiling, the shiny dark floorboards, the charming fireplace and jaunty mantelpiece. Green is my favourite colour, so of course I enjoy the beautiful splashes of leaf and pea green.

The bathroom just shows a gorgeous use of green contrasted against white. It looks crisp and clean and peaceful. The tub also look amazing. However the room is a bit chillier than I like.

The chair on the left is a discontinued Anthropologie model. The fabric is amazing in texture, print and colour. The chair looks substantial and comfortable — teamed with an ottoman or footstool, the perfect place to kick back with a drink.

The chaise on the right is by a local Australian makers Pierre and Charlotte. I love the simplicity and the way it seems to ooze comfort and respectability. The perfect place to retire with a bunch of Austen novels and some new season Fuji apples.

I am bonkers about recycled materials (recycled timber and bricks especially) because the resulting products always have oodles of character. I’m not exactly sure of the correct furniture terminology — I call this a refectory table, and it’s a style I’ve loved since I was a child. This one is by John Najjar.

I’ve never been able to make my mind up about burr wood. On the one hand, it’s undeniably interesting. On the other hand, it sometimes looks diseased. I like this cabinet, though, it reminds me of the Chinese cabinets of my youth.

The dining room chair is a fairly famous design — the Hans Wegner Wishbone Chair. I think it is charming and interesting and little out of the ordinary.